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Literary notes about Cite (AI summary)

In literature the word “cite” has been employed in a remarkably versatile manner. Authors use it to indicate the act of drawing on authority, evidence, or personal experience—from formal references meant to substantiate a claim, as seen when a legal or sociological argument is bolstered by citing established works ([1], [2], [3], [4]), to more conversational or even challenging appeals where one demands proof or further instances ([5], [6], [7]). In many texts the term serves a dual purpose: it not only signals the use of external support—whether quoting historical figures, invoking classic scholarly works, or referring to well-documented cases ([8], [9], [10])—but it also functions as a stylistic device for emphasis or repetition, as when it is deliberately reiterated to reinforce a point ([11], [12]). Thus, across genres ranging from judicial manuals and historical treatises to novels and philosophical essays, “cite” is adapted as both a practical tool and a rhetorical flourish to connect claims with evidence, lending authority and clarity to the discourse ([13], [14], [15]).
  1. Examples of the relationship are known to every one of us, but I want to cite two out of my own experience as types.
    — from Criminal Psychology: A Manual for Judges, Practitioners, and Students by Hans Gross
  2. We may cite Proudhon's Philosophie de la Misere as an example of this form.
    — from The Communist Manifesto by Friedrich Engels and Karl Marx
  3. I shall cite the nearest possible examples that may be followed in such cases.
    — from The Social Contract & Discourses by Jean-Jacques Rousseau
  4. For, with respect to him what better authority can we cite than Plato?
    — from Cicero's Tusculan Disputations by Marcus Tullius Cicero
  5. That’s plain!” “You’re dodging—cite me a fact, cite me a fact!”
    — from The Reign of Greed by José Rizal
  6. But can you expect me to cite further illustrations until you declare yourself convinced?
    — from A General Introduction to Psychoanalysis by Sigmund Freud
  7. "No, you can't cite them in court," he said.
    — from The Trial by Franz Kafka
  8. I shall never hesitate to cite Cesare Borgia and his actions.
    — from The Prince by Niccolò Machiavelli
  9. I cite the example of the decorative theatrical artist, who can make the most beautiful images with a few, but very characteristic blots.
    — from Criminal Psychology: A Manual for Judges, Practitioners, and Students by Hans Gross
  10. Of the emigration from Ringsaker, I may cite Simon Simerson of Belmond, Iowa:
    — from A History of Norwegian Immigration to the United States by George T. Flom
  11. To re-cite is to cite again, to repeat, to tell over and over.
    — from How We Think by John Dewey
  12. To re-cite is to cite again, to repeat, to tell over and over.
    — from How We Think by John Dewey
  13. For proof, I cite two mastiffs, that espied A dead ass floating on a water wide.
    — from Fables of La Fontaine — a New Edition, with Notes by Jean de La Fontaine
  14. To demonstrate, I will cite a Pampangan metrical romance and a Tagalog romance, the former probably the parent of our folk-tale.
    — from Filipino Popular Tales
  15. As examples of modifications of the same root, I cite: clamare —to scream, clam —quiet, still, secret; siccus —dry, succus —juice.
    — from A General Introduction to Psychoanalysis by Sigmund Freud

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