In literature, the word “chapter” designates a distinct section within a larger work, serving as both a navigational tool and a means of thematic organization. Chapters help readers break down complex narratives or arguments into more manageable parts, whether through numeric sequencing—as seen in Roman numeral designations like Chapter XI in Archibald Williams’s work [1] or Arabic numbering in texts such as Cory Doctorow’s Little Brother [2]—or even through descriptive titles and subtitles, as in Mark Twain’s varied chapter introductions [3], [4]. This structural device is equally prevalent in both secular literature and religious or historical texts, where chapters organize biblical passages [5], [6], as well as in scholarly works like Vitruvius’s treatise on architecture [7]. Ultimately, the use of chapters across such a broad range of genres underscores their essential role in guiding the reader’s journey through a text.