The term "cantata" in literature often evokes a rich musical tradition interwoven with cultural commentary, particularly in relation to coffee. In a playful nod to the beverage, Rowlandson Fuzelier composed a cantata for a coffee-themed caricature, with music by Bernier, celebrating coffee's popularity [1]. This idea was further expanded by Bach’s celebrated Coffee Cantata—a secular work published in Leipzig in 1732 [2, 3, 4] that also served as a pointed protest against libels. Its enduring appeal is highlighted by the fact that it was still performed as late as December 18, 1921, in a New York concert by the Society of the Friends of Music under Arthur Bodanzky's direction [5]. The opening bars of Betty’s aria exemplify the intricate musicality that has kept the cantata relevant in both historical and cultural discussions [6].