Literary notes about COWER (AI summary)
The word “cower” is often used in literature to convey a physical and emotional retreat in the face of overwhelming fear, shame, or awe. Writers employ it to describe not only characters who shrink back in terror from violence or horror—as when someone recoils at the sight of blood [1] or trembles before a dominating presence [2]—but also to illustrate broader themes of subjugation and vulnerability, such as nations or ideals bowing under pressure [3] and even abstract forces like guilt or moral weakness [4]. At times, it extends to evocative portrayals where surroundings or inanimate elements seem to shrink away, enhancing the atmosphere of foreboding [5]. In this manner, “cower” serves as a powerful metaphor across genres, deepening both the physicality and the inner emotional landscapes of characters.
- She could not bear the sight of blood, and a fight made her cower and tremble.
— from Joan of Arc, the Warrior Maid by Lucy Foster Madison - “I was not sent here to cower and truckle, to lower Rome’s ensigns at the demands of your obstinate, cantankerous Jews,” he hissed.
— from Hear Me, Pilate! by LeGette Blythe - Will not this coming Yankee Congress force all the world either to cower before them, or check them by upholding us ?
— from The Flag Replaced on SumterA Personal Narrative by William A. Spicer - It is the front of Jove himself; The Majesty of Virtue and of Power, Before which guilt and meanness only cower.
— from Browere's Life Masks of Great Americans by Charles Henry Hart - The long, drafty subterranean passage was chilly and dusty, and my candle flared and made the shadows cower and quiver.
— from The Red Room by H. G. (Herbert George) Wells