Literary notes about COUP (AI summary)
The word “coup” exhibits remarkable flexibility in literature, functioning both as a term for a sudden seizure of power and as a metaphor for swift, decisive actions. In historical and political narratives—especially in Victor Hugo’s works—it frequently appears as “coup d'état,” embodying the chaotic, forceful overthrow of established order ([1], [2], [3], [4], [5]), while also evoking notions of fate and inevitability in phrases like “something of Providence in the coup d'état” ([6]). At the same time, lighter or more playful variations emerge in other texts, such as the use of “coup de main” to indicate a rapid, unexpected maneuver ([7], [8]) and “coupé” in Alexandre Dumas’ adventure for its double entendre regarding both vehicle and action ([9], [10]). This diversity underscores how authors adapt “coup” to reflect both the gravity of political revolution and the subtleties of everyday ingenuity or mischief.
- On the 2d December, an hour after noon, the coup d'état was still a crime.
— from The History of a Crime by Victor Hugo - Putting Louis Bonaparte on one side, the coup d'état continued to rest solely upon three names, Morny, St. Arnaud, and Maupas.
— from The History of a Crime by Victor Hugo - A successful coup d'état does not stand upon ceremony.
— from The History of a Crime by Victor Hugo - The coup d'état was organized, and the People were not.
— from The History of a Crime by Victor Hugo - On Thursday, the 4th, the coup d'état tottered, and was obliged to support itself by assassination.
— from The History of a Crime by Victor Hugo - There was perhaps something of Providence in the coup d'état .
— from The History of a Crime by Victor Hugo - I thought to succeed by a coup de main , but she was too quick for me.
— from The Romance of Lust: A classic Victorian erotic novel by Anonymous - We took the citadel, after a slight fusillade, and by a coup de main .
— from Napoleon's Letters to Josephine, 1796-1812 by Emperor of the French Napoleon I - Both got into Albert’s coupé ; and, as the young man had no reason to conceal where he was going, he called aloud, “To the Opera.”
— from The Count of Monte Cristo by Alexandre Dumas and Auguste Maquet - “No, thank you; I gave orders for my coupé to follow me.”
— from The Count of Monte Cristo by Alexandre Dumas and Auguste Maquet