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Literary notes about COUP (AI summary)

The word “coup” exhibits remarkable flexibility in literature, functioning both as a term for a sudden seizure of power and as a metaphor for swift, decisive actions. In historical and political narratives—especially in Victor Hugo’s works—it frequently appears as “coup d'état,” embodying the chaotic, forceful overthrow of established order ([1], [2], [3], [4], [5]), while also evoking notions of fate and inevitability in phrases like “something of Providence in the coup d'état” ([6]). At the same time, lighter or more playful variations emerge in other texts, such as the use of “coup de main” to indicate a rapid, unexpected maneuver ([7], [8]) and “coupé” in Alexandre Dumas’ adventure for its double entendre regarding both vehicle and action ([9], [10]). This diversity underscores how authors adapt “coup” to reflect both the gravity of political revolution and the subtleties of everyday ingenuity or mischief.
  1. On the 2d December, an hour after noon, the coup d'état was still a crime.
    — from The History of a Crime by Victor Hugo
  2. Putting Louis Bonaparte on one side, the coup d'état continued to rest solely upon three names, Morny, St. Arnaud, and Maupas.
    — from The History of a Crime by Victor Hugo
  3. A successful coup d'état does not stand upon ceremony.
    — from The History of a Crime by Victor Hugo
  4. The coup d'état was organized, and the People were not.
    — from The History of a Crime by Victor Hugo
  5. On Thursday, the 4th, the coup d'état tottered, and was obliged to support itself by assassination.
    — from The History of a Crime by Victor Hugo
  6. There was perhaps something of Providence in the coup d'état .
    — from The History of a Crime by Victor Hugo
  7. I thought to succeed by a coup de main , but she was too quick for me.
    — from The Romance of Lust: A classic Victorian erotic novel by Anonymous
  8. We took the citadel, after a slight fusillade, and by a coup de main .
    — from Napoleon's Letters to Josephine, 1796-1812 by Emperor of the French Napoleon I
  9. Both got into Albert’s coupé ; and, as the young man had no reason to conceal where he was going, he called aloud, “To the Opera.”
    — from The Count of Monte Cristo by Alexandre Dumas and Auguste Maquet
  10. “No, thank you; I gave orders for my coupé to follow me.”
    — from The Count of Monte Cristo by Alexandre Dumas and Auguste Maquet

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