The term "companies" in literature exhibits a remarkable versatility that mirrors the varied contexts in which groups of people or organizations are portrayed. In early dramatic works and classical epics, such as Shakespeare’s depiction of military formations [1] and Homer's "Iliad" describing soldiers' regrouping [2], "companies" refers to cohesive units of combatants organized for strategic purposes. This martial meaning is echoed in historical and biblical accounts where companies are instrumental in both combat and expeditionary endeavors [3, 4, 5, 6, 7]. Conversely, in economic and modern contexts, the word also denotes commercial enterprises and institutions that shape markets and technology, as seen in Adam Smith’s economic analysis [8, 9, 10] and contemporary discussions on Internet service providers [11, 12, 13]. Additionally, some authors extend the notion to social settings, where "companies" represents groups gathered for shared experiences, whether in convivial dinners or intellectual exchanges [14, 15, 16]. This range—from military units to business organizations to casual social congregations—highlights the rich semantic evolution of the term throughout literary history.