The word "bulbous" has been employed in literature to evoke a sense of heaviness and roundedness, imbuing both animate and inanimate subjects with a distinct visual character. In Arthur Conan Doyle’s work, a "bulbous-headed" piece of wood is rendered both tangible and idiosyncratic [1]. Similarly, Charlotte Perkins Gilman uses the term to create grotesque, almost derisory imagery with "bulbous eyes" and head-like patterns that unsettle the reader [2, 3]. In contrast, William H. Ukers adopts the word in a more descriptive, almost architectural sense, providing detailed imagery of copper kettles and serving pots with "bulbous bodies" that highlight a distinctive design evolution [4, 5, 6]. James Joyce, meanwhile, brings a slightly different texture by associating the term with the physicality of human interaction, as in the depiction of "bulbous fists" [7]. Even in J. M. Barrie’s Peter Pan, the adjective is used to denote subtle anatomical detail, demonstrating the term’s versatile application in literature [8].