The term “botany” has been used in literature in a wide variety of ways, reflecting both its scientific evolution and cultural resonance. In early works, as in Emerson’s essays [1], botany is portrayed as a methodical and systematic science, emblematic of a broader effort to impose order on the natural world. Meanwhile, adventure narratives like Jules Verne’s treat botany as one of many mysteries that upend conventional knowledge [2], while educational and autobiographical texts—such as those by Helen Keller—incorporate it as a cornerstone of a well-rounded curriculum [3, 4]. Even as a metaphor for limited professional choices, botany appears in Oscar Wilde’s work as an alternative to more prestigious careers [5]. In these varied contexts, the word “botany” is not only a marker of scientific inquiry but also a cultural reference point that bridges rigorous natural history and everyday life.