The term "biography" has been employed in literature not merely as a straightforward account of a life but often as a multifaceted tool for exploring history, personality, and cultural identity. In some instances, biography serves as a succinct yet layered narrative instrument to encapsulate a subject’s complexities—as seen in Thackeray’s subtle dismissal of details in a character’s account ([1]) or Mark Twain’s self-effacing admission that writing one can lead to social ostracism ([2]). At other times, writers invoke biography as a means of framing history itself, as Thomas Carlyle famously asserts that the history of the world is the biography of great men ([3], [4]), linking individual lives to grand historical narratives. Moreover, it is used to comment on the nature of storytelling and remembrance, with phrases suggesting that even every minor detail of one's existence might be read as a biography ([5]) and that recorded lives are, at times, fragmentary or disputed ([6], [7]). Thus, across various literary works—from condensed chronicles ([8], [9]) to reflective essays ([10])—biography emerges as both a literal and metaphorical canvas on which the interplay of fact, interpretation, and myth is vividly rendered.