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Literary notes about BATHOS (AI summary)

In literature, bathos is deployed as a tool to signal a sudden shift from the lofty and sublime to the trivial or absurd. Often, it marks an unexpected descent from grand sentiment or heroic rhetoric into banality, as when a text appears to deliberately undercut its own dramatic buildup [1, 2]. At times, the term critiques a writer’s failure to maintain elevating tension, reducing otherwise noble imagery to crass ebullience or common indifference [3, 4]. In other instances, the deliberate use of bathos challenges readers to distinguish between genuine emotional appeal and mere excess, underscoring the fine line between effective rhetoric and an unintended anticlimax [5, 6].
  1. (p. 7) shows considerable appreciation of the Art of Sinking; the second line especially is fine bathos.
    — from The Man of Taste by James Bramston
  2. Let us not descend to the bathos, when we should soar to the climax!
    — from Mardi: and A Voyage Thither, Vol. II by Herman Melville
  3. And he’ll never be able to emerge from his bathos of coarseness and ignorance.
    — from Wuthering Heights by Emily Brontë
  4. To your sentimentalist that straw looks heroic; to anybody that knows the difference between bathos and pathos it simply looks silly.
    — from Through stained glass A Novel by George Agnew Chamberlain
  5. The answer is somewhere between bathos and pathos.
    — from The Public Domain: Enclosing the Commons of the Mind by James Boyle
  6. O, the sublime bathos of thy prosaism — the muddy eddy of thy logic!
    — from The Literary Remains of Samuel Taylor Coleridge, Volume 3 by Samuel Taylor Coleridge

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