The word “anything” functions as a flexible and indefinite pronoun in literature, inviting both readers and characters to contemplate a range of vague or open-ended possibilities. In some instances, it is used to evoke an emotional breadth or a sense of futility, as when Nathasha muses over dissatisfaction with "anything" ([1]) or when a character’s readiness to do "anything" is a marker of desperate determination ([2]). Meanwhile, authors also employ "anything" to suggest unlimited potential or to underscore abstraction—whether it is in questioning if “anything ever happens in heaven” ([3]) or pondering if nature ever conforms to “anything in the nature of monotonous uniformity” ([4]). In works spanning from Montaigne's reflections on agreeable friendship ([5]) to the modern entreaties for help in H. M. Montgomery’s writing ([6], [7]), “anything” helps articulate experiences that are too broad or complex to specify, thereby enriching the narrative by highlighting the ambiguity and expansive nature of human thought and experience.