The term “angelic” in literature has been used with remarkable versatility, often straddling the line between the divine and the human. Early works like Milton’s Paradise Lost invoke angelic qualities to signify nobility and celestial virtue ([1], [2], [3]), while other texts employ the adjective to describe both genuine spiritual purity and ironic or satirical traits. In some instances, “angelic” underscores a sublime, almost otherworldly beauty or benevolence ([4], [5], [6]), and in others, it functions as a playful or provocative epithet—mixing the heavenly with the earthly, as seen in the blunt, erotic context of a Victorian novel ([7], [8]). This duality is further highlighted in works that juxtapose angelic features with more flawed human temperaments, exploring an interplay between purity and imperfection ([9], [10], [11]). Thus, across genres and periods, “angelic” serves as a multifaceted descriptor that enriches characterizations and themes by invoking an idealized, yet sometimes paradoxical, quality of being.