The term "anagram" in literature often serves as a metaphorical device that hints at hidden meanings and transformations. For instance, George Santayana uses it in a philosophical context, suggesting that the mind becomes a clear anagram of accumulated experience—effectively transforming through discipline and insight [1, 2]. In contrast, Guy de Maupassant plays with the term more literally, constructing playful puzzles with words to comment on social dynamics, as seen in his clever juxtaposition of the town names Riom and Mori [3]. Thomas Carlyle similarly employs the concept during his reflections on the French Revolution, where anagrams reveal concealed identities and historical truths [4]. Additionally, François Rabelais incorporates the anagram as a witty signature in his literature, adding a layer of erudition through the self-referential rearrangement of names [5].