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stood cuspidores made of
There was also spread a large watered satin sitting cushion with a gold embroidered centre, and on the side stood cuspidores made of silver.
— from Hung Lou Meng, or, the Dream of the Red Chamber, a Chinese Novel, Book I by Xueqin Cao

see certain motions of
When human beings speak—that is, when we hear certain noises which we associate with ideas, and simultaneously see certain motions of lips and expressions of face—it is very difficult to suppose that what we hear is not the expression of a thought, as we know it would be if we emitted the same sounds.
— from The Problems of Philosophy by Bertrand Russell

singular ceremony marched on
The pope's vicar, the simple bishop of Orvieto, who had been persuaded to sustain a part in this singular ceremony, marched on his right hand; and three great standards were borne aloft as the emblems of their design.
— from The History of the Decline and Fall of the Roman Empire Table of Contents with links in the HTML file to the two Project Gutenberg editions (12 volumes) by Edward Gibbon

Seventeenth Century Merchants or
Jerusalem, View and Plan of Jew, Legend of a, calling the Devil from a Vessel of Blood Jewish Ceremony before the Ark " Conspiracy in France " Procession Jews taking the Blood from Christian Children " of Cologne burnt alive, The " Expulsion of the, in the Reign of the Emperor Hadrian " Secret Meeting of the John the Baptist, Decapitation of John the Fearless, Duke of Burgundy, Assassination of Judge, Fifteenth Century Judicial Duel, The Jugglers exhibiting Monkeys and Bears, Thirteenth Century " performing in Public, Thirteenth Century King-at-Arms presenting the Sword to the Duc de Bourbon King's Court, The, or Grand Council, Fifteenth Century Kitchen, Interior of a, Sixteenth Century. " and Table Utensils Knife-handles in Ivory, Sixteenth Century Knight in War-harness Knight and his Lady, Fourteenth Century Knights and Men-at-Arms of the Reign of Louis le Gros Labouring Colons, Twelfth Century Lambert of Liége, St., Chimes of the Clock of Landgrave of Thuringia and his Wife Lawyer, Sixteenth Century Leopard, Hunting with the, Sixteenth Century Lubeck and its Harbour, View of, Sixteenth Century Maidservants, Dress of, Thirteenth Century Mallet, Louis de, Admiral of France Mark's Place, St., Venice, Sixteenth Century Marseilles and its Harbour, View and Plan of, Sixteenth Century Measurers of Corn, Paris, Sixteenth Century Measuring Salt Merchant Vessel in a Storm Merchants and Lion-keepers at Constantinople Merchants of Rouen, Medal to commemorate the Association of the Merchants of Rouen, Painting commemorative of the Union of, Seventeenth Century Merchants or Tradesmen, Fourteenth Century Metals, The Extraction of Miller, The, Sixteenth Century Mint, The, Sixteenth Century Musician accompanying the Dancing New-born Child, The Nicholas Flamel, and Pernelle, his Wife, from a Painting of the Fifteenth Century Nobility, Costumes of the, from the Seventh to the Ninth century " Ladies of the, in the Ninth Century Noble Ladies and Children, Dress of, Fourteenth Century Noble Lady and Maid of Honour, Fourteenth Century Noble of Provence, Fifteenth Century Nobleman hunting Nogent-le-Rotrou, Tower of the Castle of Nut-crackers, Sixteenth Century Occupations of the Peasants Officers of the Table and of the Chamber of the Imperial Court Oil, the Manufacture of, Sixteenth Century Old Man of the Mountain, The Olifant, or Hunting-horn, Fourteenth Century " " details of Orphaus, Gallois, and Family of the Grand Coesre, Fifteenth Century Palace, The, Sixteenth Century Palace of the Doges, Interior Court of the Paris, View of Partridges, Way to catch Paying Toll on passing a Bridge Peasant Dances at the May Feasts Pheasant-fowling, Fourteenth Century Philippe le Bel in War-dress Pillory, View of the, in the Market-place of Paris, Sixteenth Century Pin and Needle Maker Ploughmen.
— from Manners, Customs, and Dress During the Middle Ages and During the Renaissance Period by P. L. Jacob

same continued Modulation of
Besides that we see a Diversity of Numbers in some Parts of the Old Tragedy, in order to hinder the Ear from being tired with the same continued Modulation of Voice.
— from The Spectator, Volume 1 Eighteenth-Century Periodical Essays by Steele, Richard, Sir

second comes more obviously
Only,—at one time the first question, at another the second comes more obviously into the foreground.
— from Criminal Psychology: A Manual for Judges, Practitioners, and Students by Hans Gross

she could make of
On this, Mr. Tebrick, who had let the old woman have most of her management to see what she could make of her, took her back under his own control.
— from Lady into Fox by David Garnett

such crosses most of
We owe indeed to such crosses most of our choicest existing varieties.
— from The Variation of Animals and Plants under Domestication — Volume 1 by Charles Darwin

Sommers could make out
It came nearer, and Sommers could make out the uniform of a park-guard.
— from The Web of Life by Robert Herrick

sentiments celebrating Mass on
The priests consecrated the meetings and the sentiments, celebrating Mass on the grounds.
— from Irish History and the Irish Question by Goldwin Smith

shall cure me of
Who shall cure me of parentheses?]—well, "a sea of troubles, [thoughts trouble us more than things—I sin again; close it;] and by opposing, end them;" that is, by setting forth these troublous thoughts opposite, in stately black and white, I clip their wings, and make them peck among my poultry, and not swarm about my heaven.
— from An Author's Mind : The Book of Title-pages by Martin Farquhar Tupper

she could make out
She ran—ran breathlessly, stumbling, half falling, her hands stretched out before her to serve almost in lieu of eyes, for she could make out scarcely anything in front of her.
— from The White Moll by Frank L. (Frank Lucius) Packard

side cloak made of
"I was once early at her howse (yt being sommer tyme), when she was layed without dores, under the shadowe of a broad-leaved tree, upon a pallet of osiers, spred over with four or five fyne gray matts, herself covered with a fare white drest deare skynne or two; and when she rose, she had a mayd who fetcht her a frontall of white currall, and pendants of great but imperfect couloured and worse drilled pearles, which she put into her eares, and a chayne, with long lyncks of copper, which they call Tapoantaminais, and which came twice or thrice about her neck, and they accompt a jolly ornament; and sure thus attired, with some variety of feathers and flowers stuck in their haires, they seeme as debonaire quaynt, and well pleased as (I wis) a daughter of the howse of Austria behune [decked] with all her jewells; likewise her mayd fetcht her a mantell, which, they call puttawus, which is like a side cloak, made of blew feathers, so arteficyally and thick sewed togither, that it seemed like a deepe purple satten, and is very smooth and sleeke; and after she brought her water for her hands, and then a braunch or twoo of fresh greene asshen leaves, as for a towell to dry them.
— from International Miscellany of Literature, Art and Science, Vol. 1, No. 3, Oct. 1, 1850 by Various

shyly congratulated me on
The beautiful girl looked more lovely than ever, I thought, as she somewhat shyly congratulated me on the progress I had made toward recovery.
— from Under the Meteor Flag: Log of a Midshipman during the French Revolutionary War by Harry Collingwood


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