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Gluck, armed with German theories and supporting French music, maintained for dramatic interest, the subordination of music to poetry, the union or close relation of song and recitative; whereas, the Italian opera represented by Piccini had no dramatic unity, no great ensembles, nothing but short airs, detached, without connection--no substance, but mere ornamentation.
— from Women of Modern France (Illustrated) Woman: In all ages and in all countries Vol. 7 (of 10) by Hugo P. (Hugo Paul) Thieme
In season due the sun's course backward throws Dark night; ensue must light; the mountain's Hard rock, at length, its bosom doth unclose, Now grudging earth no more the hidden fountains.
— from Wilhelm Meister's Apprenticeship and Travels, Vol. I (of 2) by Johann Wolfgang von Goethe
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