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delicate marks of
She received from two of these friends many delicate marks of sympathy, despite the gossip of the neighbors who were astonished that Madame de Rouville and her daughter should have different names, and shocked by their very suspicious behavior.
— from Repertory of The Comedie Humaine, Complete, A — Z by Anatole Cerfberr

dwell more on
And Edmund, silenced, was obliged to acknowledge that the charm of acting might well carry fascination to the mind of genius; and with the ingenuity of love, to dwell more on the obliging, accommodating purport of the message than on anything else.
— from Mansfield Park by Jane Austen

distinguished men of
Thinking thus compassionately about both of them, he released them, saying that he dismissed Thessaliscus individually out of respect for his pedigree, for he belonged to the ranks of the distinguished men of Thebes.
— from The Anabasis of Alexander or, The History of the Wars and Conquests of Alexander the Great by Arrian

deserved misfortunes on
The particulars of this great event are darkly and imperfectly represented; yet, by the glimmering light which is afforded us, we may discover a long series of imprudence, of error, and of deserved misfortunes on the side of the Roman emperor.
— from The History of the Decline and Fall of the Roman Empire Table of Contents with links in the HTML file to the two Project Gutenberg editions (12 volumes) by Edward Gibbon

deems me only
This same man, after failing through intimidation to elicit from me the names of our editorial contributors, against giving which he knew me to be pledged, beat himself weary upon me with a raw hide, I not resisting, and then pantingly threatened me with permanent disfiguring mayhem, if ever again I should introduce his name into print, and who but a few minutes before his attack upon me assured me that the only reason I was “permitted” to reach home alive on Wednesday evening last (at which time the PEOPLE’S TRIBUNE was issued) was, that he deems me only half-witted, and be it remembered the very next morning I was knocked down and kicked by a man who seemed to be prepared for flight.
— from Roughing It by Mark Twain

draws many of
He is a native of Ross-shire, though he draws many of his stories from the Western Hebrides, where his calling has placed him.
— from The Fairy-Faith in Celtic Countries by W. Y. (Walter Yeeling) Evans-Wentz

deep mind of
The eddying of her garments caught from thee The light of thy great presence; and the cope Of the half-attain'd futurity, Though deep not fathomless, Was cloven with the million stars which tremble O'er the deep mind of dauntless infancy.
— from The Early Poems of Alfred Lord Tennyson by Tennyson, Alfred Tennyson, Baron

domestic means obstruct
M. Virtutibus obstat / Res angusta domi —Straitened domestic means obstruct the path to virtue.
— from Dictionary of Quotations from Ancient and Modern, English and Foreign Sources Including Phrases, Mottoes, Maxims, Proverbs, Definitions, Aphorisms, and Sayings of Wise Men, in Their Bearing on Life, Literature, Speculation, Science, Art, Religion, and Morals, Especially in the Modern Aspects of Them by Wood, James, Rev.

dexterous management of
86 The partiality which Constantius always expressed towards the Eusebian faction, was insensibly fortified by the dexterous management of their leaders; and his victory over the tyrant Magnentius increased his inclination, as well as ability, to employ the arms of power in the cause of Arianism.
— from The History of the Decline and Fall of the Roman Empire Table of Contents with links in the HTML file to the two Project Gutenberg editions (12 volumes) by Edward Gibbon

distinguishing marks of
He bore about him distinguishing marks of the beautiful self-sacrifice.
— from Aaron the Jew: A Novel by B. L. (Benjamin Leopold) Farjeon

deducible meaning of
I do not use this term in the present work, because I do not see why, in any deducible meaning of the word distributed , it can be applied to universal as distinguished from particular."— Formal Logic , chap.
— from Opuscula: Essays chiefly Philological and Ethnographical by R. G. (Robert Gordon) Latham

dark masses of
There was the mountain, the pastures on the lower slopes all red, too, and higher up the dark masses of bristling spruce and pine and hemlock mottled with white where the snow-covered rocks showed through.
— from Project Gutenberg Complete Works of Winston Churchill by Winston Churchill

dealing more or
I. In dealing with the color perceptions of savages and children we are, of course, to some extent dealing more or less unconsciously with their color preferences.
— from The Popular Science Monthly, August, 1900 Vol. 57, May, 1900 to October, 1900 by Various

Deccan meaning of
Dawns Mên (Cornwall), 256 Day spring, day star, 220 De Candolle, Augustin de, on age of yews, 364 , 365 , 366 , 368 , 369 , 371 , 375 ; his Physiologie végétale , 370 ; Fortingal yew, 375 ; Brabourne yew, 376 ; Fountains yew, 377 Deccan, meaning of the word, 326 Declination of magnetic needle, 228 Deddington (Oxford), 272 n. Dedication festivals, 191 , 192 Dedications of churches, to St Michael, 129 ; lost, 191 ; connection with alinements, 209 , 225-6 , 227 , 234-5 ; double, 234-5 Defensive towers, 107-18 , 150 Deflected chancels, theories concerning, 232-9 ; and rebuilding of church, 232-4 , 237 ; and double dedications, 234-5 ; symbolism of, 235-7 ; aesthetical explanation, 238-41 Defoe, Daniel, on carriage oxen, 484 , 484
— from Byways in British Archaeology by Walter Johnson

disobeying my order
If you decide to go you will neither be disobeying my order nor breaking your own promise.
— from The Governess by Julie M. Lippmann

daily mode of
Liszt, Franz, abuse of, in Germany, 3 ; affectation in his work, 157 ; alters harmonic minor scale, 163 ; amiability of, 21 ; amusing story of conversion, 320 - 326 ; anecdotes, 57 , 58 , 101 , 142 , 180 , 221 , 237 , 243 , 254 , 255 , 378 ; appreciation of Saint-Saëns, 104 , 105 ; as a teacher, 14 , 23 ; as Abbé, 18 , 50 , 97 , 267 , 275 ; biographers of, 51 , 55 , 56 , 101 ; birth of, 11 , 12 ; birthplace of, 13 ; boyhood of, 13 , 14 , 300 - 305 ; in Budapest, 97 ; character of his music, 29 , 30 , 78 ; children of, 15 , 16 , 86 , 359 ; chivalry of, 11 , 34 , 56 ; Chopin's obligation to, 6 , 73 - 77 ; comment on his 13th Psalm, 194 , 195 ; comparison of established symphonic form with that devised by Liszt, 140 ; [449] compared with Wagner, 108 , 143 , 144 ; as composer, 1 , 2 , 13 , 14 , 20 , 31 , 35 , 43 , 52 - 56 , 86 , 90 , 103 , 144 , 327 , 377 , 409 - 413 ; concerts of, 34 , 212 , 221 , 223 , 224 , 230 , 235 , 248 , 288 , 292 , 293 , 302 , 305 , 319 ; as conductor, 2 , 87 , 135 , 258 , 377 ; conducts at Aix-la-Chapelle, 135 ; conducts in Berlin, 137 ; conducts at Prague, 136 ; conducts at Pesth, 94 , 96 ; conducts in Rome, 94 ; conducts in Weimar, 88 ; conversation of, 258 , 259 , 276 ; court musical director (Weimar), 22 , 46 , 47 ; creator of the symphonic poem, 26 , 27 , 106 , 139 , 140 ; criticisms regarding, 2 , 8 , 14 , 17 , 21 , 64 , 153 - 158 , 194 , 360 , 399 ; and the Countess d'Agoult, 14 - 16 , 80 , 81 , 85 , 391 ; daily mode of life, 99 , 100 ; death of, 1 , 2 , 25 , 280 ; dedications, 57 , 100 , 169 , 172 ; description of his ideal of romantic religious music, 193 ; in England, 300 - 313 ; fascinating personality of, 45 , 235 , 236 , 241 , 246 , 256 , 257 ; feminine friendships of, 34 - 43 ; fingering, 74 , 187 ; Freemason, 389 ; friendship with Berlioz, 212 ; friendship with Cardinal Prince Hohenlohe, 22 ; friendship with Chopin, 14 , 40 ; friendship with Jean Auguste Dominique Ingres, 83 , 84 ; and Marguerite Gautier, 40 ; generosity of, 24 , 101 , 257 , 258 ; gifts from sovereigns, 328 ; greatest contribution to art, 4 ; hand of, 328 , 339 ; illness of, 44 , 135 ; impressionability of, 8 , 10 , 11 ; improvisations of, 82 , 180 , 181 ; indebtedness to Chopin, 76 ; influence of Berlioz, 17 , 55 , 411 ; influence of Chopin, 17 , 145 , 411 ; influence of gipsy music, 160 ; influence of Meyerbeer, 145 ; influence of Paganini, 17 ; influence of Wagner, 191 ; ingratitude of Schumann, 57 ; on instruments of percussion, 170 , 171 ; interest in German art, 90 ; interest in Tausig, 362 ; interpretation, 87 ; interview with, 228 , 229 ; intimacy with Prince Lichnowsky, 241 - 243 ; intrigues against, 22 ; introduces interlocking octaves, 77 ; introduces the piano recital, 71 , 419 ; and Olga Janina, 41 ; lack of appreciation of, 31 , 141 , 229 ; and the Countess Adèle Laprunarède, 37 ; letters of, 9 , 35 , 37 , 44 , 46 , 92 , 135 , 136 , 138 , 143 , 150 , 169 , 170 , 171 , 179 , 194 , 195 , 197 , 219 , 279 , 280 , 289 , 290 , 394 , 414 ; literary work of, 19 , 20 ; in London, 300 - 313 ; loss of Piano Method, Part III, 358 ; love affairs of, 2 , 3 , 19 - 23 , 36 - 41 , 88 ; and Lola Montez, 40 , 41 ; musical style of, 4 , 181 ; musical imagination, 8 , 146 ; notation, 187 ; number of compositions, 56 ; orchestral form, 194 ; orchestral instrumentation, 157 ; orchestral music of, 32 , 123 , 190 ; as organ composer, 401 , 402 ; original compositions of, 412 , 413 ; on origin of his Tasso, 115 ; on origin of his Orpheus, 121 ; parents of, 12 , 14 , 251 ; in Paris, 13 , 24 ; patience of, 27 ; pedalling, 62 , 99 , 187 ; pen picture of, 57 ; personal appearance, 18 , 82 , 98 , 204 , 231 , 255 , 262 , 269 , 276 , 296 , 297 ; personal characteristics, 2 , 3 , 17 , 66 , 71 , 327 ; pianoforte virtuoso, 1 , 2 , 8 , 14 , 16 , 18 , 43 , 56 , 73 , 94 , 106 , 247 , 251 , 252 , 420 ; piano music of, 10 , 11 , 53 , 66 , 123 , 168 , 187 , 409 - 413 ; piano recitals, 82 , 83 , 179 , 308 - 311 , 419 ; piano reform, 91 ; piano of, 328 , 340 , 342 , 343 , 394 ; and the Countess Louis Plater, 37 ; playing of, 17 , 60 - 64 , 87 , 99 , 141 , 161 , 208 , 214 , 223 , 224 , 232 , 233 , 238 - 240 , 253 , 266 , 277 , 278 , 285 , 292 , 314 , 316 , 421 ; plays Weber's Sonatas, 207 , 208 ; [450] plays at Berlioz's, 210 ; at Bizet's, 379 ; at court of Wurtemburg, 252 ; at Karlsruhe, 93 ; at Legouvé's, 215 ; at Munkaçzy's, 25 ; at Tolstoy's, 102 ; at Windsor Castle, 304 ; portraits of, 16 , 18 , 42 , 261 , 289 , 338 , 416 , 417 ; prediction at birth of, 12 ; predominating artistic influences, 17 ; prophecy of, 100 ; public speaking of, 179 , 213 , 226 , 227 ; pupils of, 24 , 36 , 42 , 51 , 52 , 57 , 91 , 98 , 185 , 263 , 353 - 388 ; alphabetical list of pupils, 353 - 358 ; reading of, 14 ; realism of, 67 ; reformer of church music, 2 ; religious fervor of, 89 - 92 , 97 , 98 , 196 ; residences in and around Rome, 343 ; revolutionist, 142 ; romanticism of, 11 , 14 , 28 ; in Rome, 78 - 85 , 89 - 97 , 102 ; in Russia, 294 - 300 ; and Caroline de Saint-Criq, 36 , 37 ; and George Sand, 39 , 40 , 247 ; and the Princess Sayn-Wittgenstein, 19 - 24 , 43 - 51 ; Schumann's indebtedness to, 56 ; as song writer, 165 - 168 ; started new era in Hungarian music, 160 ; statues of, 13 , 18 , 220 , 221 , 332 ; success of, 13 , 52 ; as teacher, 14 , 97 , 100 , 209 , 339 , 358 , 395 - 397 ; technique of, 34 , 62 , 70 , 72 , 152 , 313 , 402 , 407 , 421 , 437 ; temperament of, 28 , 29 ; tempo, 164 , 165 , 187 ; testimonials, 328 ; theological studies of, 95 ; theory of gipsy music, 20 ; thought his career a failure, 26 ; tirelessness of, 17 ; tomb of, 25 , 58 ; the triangle, 170 - 172 ; tribute by Wagner, 23 ; variety of rhythms of, 31 ; versatility of, 51 , 88 , 144 ; on virtuosity, 392 , 393 ; Wagner's indebtedness to, 1 , 3 , 5 , 6 , 9 , 31 , 55 , 141 - 144 ; Wagner's praise, 9 , 103 , 142 ; wanderings of, 34 , 70 , 81 , 85 , 87 , 93 , 94 - 96 , 97 ; in Weimar, 19 , 23 , 46 , 47 , 87 , 88 , 96 , 169 , 329 ; writing for solo and choral voices, 190 .
— from Franz Liszt by James Huneker

distinct mode of
But there is another very distinct mode of primitive feeling traceable in Theocritus, which dictates the good-humoured, often licentious, banter with which the shepherds encounter one another.
— from The Roman Poets of the Augustan Age: Virgil by W. Y. (William Young) Sellar

difficult manual office
It has been observed, that broiling is the most difficult manual office the general cook has to perform, and one that requires the most unremitting attention; for she may turn her back upon the stewpan or the spit, but the gridiron can never be left with impunity.
— from The Book of Household Management by Mrs. (Isabella Mary) Beeton

debar myself of
"But I tell you that—" "My good friend," interrupted M. Verduron, "I must admit that I am too gallant, or rather not sufficiently unselfish, to debar myself of the pleasure of waiting here for the return of—" "Very well, very well," interposed Segoffin, quickly, "we won't say any more about it.
— from Avarice--Anger: Two of the Seven Cardinal Sins by Eugène Sue


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