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He caso, em que naõ liga o juramento; Qual parida, que grita com os dores, E sabe prenhe
— from History of Spanish and Portuguese Literature (Vol 2 of 2) by Friedrich Bouterwek
The processions I have chosen are either those, like the House of Mammon, that have enough ancient mythology, always an implicit symbolism, or, like the Cave of Despair, enough sheer passion to make one forget or forgive their allegory, or else they are, like that vision of Scudamour, so visionary, so full of a sort of ghostly midnight animation, that one is persuaded that they had some strange purpose and did truly appear in just that way to some mind worn out with war and trouble.
— from The Collected Works in Verse and Prose of William Butler Yeats, Vol. 8 (of 8) Discoveries. Edmund Spenser. Poetry and Tradition; and Other Essays. Bibliography by W. B. (William Butler) Yeats
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