The simplicity of its nave and aisles contrasts well with the richness of its choir; the stone reredos, a true “carven dream of angels,” represents the adoration of the Divine Host by the winged inhabitants of heaven; the altar is rich with marble columns and small sculptured capitals of most ingenious workmanship; the stalls rival those in the old Flemish churches (and Flanders was the birthland of perfect carving); and the peculiar arrangement which leaves a free space between choir and nave, separated from each by a vaulted arch, has a very happy effect.
— from The Catholic World, Vol. 15, Nos. 85-90, April 1872-September 1872 A Monthly Magazine by Various

(c) A Second Solemn Call on Mr. Zinzendorf (1757); (d) Animadversions on Sundry Flagrant Untruths advanced by Mr. Zinzendorf (no date).
— from A History of the Moravian Church by J. E. (Joseph Edmund) Hutton