In literary contexts the term “stainless steel” is often employed less as a reference to its material properties and more as an evocative color—one that suggests a cool, hard, and reflective quality. Authors use the phrase to imbue characters and settings with a futuristic or austere air; for instance, a character’s “stainless steel teeth” evoke not merely metal but a glint of inhuman precision and modernity ([1], [2]). In other passages the hue becomes a broader metaphor, as when a landscape is likened to a “coat of protective paint laid on stainless steel,” emphasizing its sleek, unyielding surface with a sense of impersonal industrial beauty ([3]). Elsewhere, the metallic imagery is extended to objects with dynamic qualities—“plates were stainless steel biting and chewing ridges”—where the color itself underscores an almost aggressive, kinetic energy ([4]). Even when used in humorous or unexpected comparisons, such as “I smelled a rat—a stainless steel one,” the color reflects an uncanny, almost surreal quality that fits perfectly into a postmodern aesthetic ([5]). Such examples demonstrate that “stainless steel” as a color in literary works is richly layered, conveying cold modernity, high technology, and sometimes even an unsettling precision.