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Color:
Gamboge


More info:
Wikipedia, ColorHexa


Colors with the same hue:
Antique Gold
Raw umber
Drab Brown
Faded Brown
Harvest gold
Driftwood
Soft Orange
Bright Orange
Dynamic
Marigold
Camel
Desert
Fallow
Lion
Wood brown
Indian yellow
Sunray
Butternut
Pebble
Pale gold
Oatmeal
Topaz
Bisque
Flesh
Linen
Isabelline
Similar colors:
Marigold
Harvest gold
Bright yellow 
Goldenrod
Soft Orange
Urobilin
Xanthous
Curry
Fulvous
Bright Orange
Spanish yellow
Neroli
Tangerine
Striking Gold
Butterscotch
Cadmium orange
Ripe mango
Dark orange
Molten Gold
Mango
Saffron
Amber
Honey
Metallic gold
Golden poppy
Sunflower
Sunny Gold
Sunglow
Dynamic
Light gold
Words evoked by this color:
fenton,  1977-78,  1975-76,  honeycomb,  golden,  gooden,  luteum,  marigold,  harvester,  maize,  yolk,  bushel,  senescence,  goldilocks,  turmeric,  tumeric,  polenta,  yellowing,  yoked,  yellowish,  senna,  currie,  savannah,  hay,  crunchy,  granary,  sheaves,  sheaf,  haymaker,  quiche,  tangelo,  t'ang,  tangerine,  taz,  tangential,  tango,  orange,  mandarin,  carot,  carrot,  tang,  tangier,  jaffa,  kumquat,  hamlin,  orang,  ange,  clementine,  satsuma,  navel
Literary analysis:
In literature, gamboge is frequently evoked as a vivid, bright yellow hue that evokes warmth and intensity in visual descriptions. Writers use gamboge both as a stand‐alone color and in combination with other pigments to create complex mixtures—for instance, employed alongside Prussian blue or indigo to enrich landscapes or illustrate delicate gradations in nature [1][2][3]. The color appears in varied contexts, from the light washes on painted papers that leave white spaces for highlights [4] to the natural coloration of flora and fauna, such as petals or the plumage of birds described as gamboge-yellow [5][6][7]. Its versatility as a pigment lends a distinctive, luminous quality that enhances both the literal and metaphorical vibrancy of a scene [8][9][10].
  1. Afterwards use lake to darken the upper half of the vermilion and gamboge; and Prussian blue to darken the cobalt.
    — from The Crown of Wild Olive also Munera Pulveris; Pre-Raphaelitism; Aratra Pentelici; The Ethics of the Dust; Fiction, Fair and Foul; The Elements of Drawing by John Ruskin
  2. For black hair use neutral tint, and a little indigo for the lights; for the local colour, indigo, lake, and gamboge.
    — from Little Folks (December 1884) A Magazine for the Young by Various
  3. This tint is composed of indigo and gamboge, and should be of a lively hue, which may be produced by giving predominance to the gamboge.
    — from The Draughtsman's Handbook of Plan and Map Drawing Including instructions for the preparation of engineering, architectural, and mechanical drawings. by George G. André
  4. Paint this in with a light wash of gamboge, leaving, as we have said, the white paper for touches of high light.
    — from How to Amuse Youself and Others: The American Girl's Handy Book by Lina Beard
  5. The ordinary form of Cattleya aurea is nankin yellow, but in the variety R. H. Measures , sepal and petal are gamboge.
    — from The Woodlands Orchids, Described and Illustrated With Stories of Orchid-Collecting by Frederick Boyle
  6. in length on outermost pair of rectrices; general color of under parts gamboge-yellow.
    — from A Manual of Philippine Birds by Richard C. (Richard Crittenden) McGregor
  7. In summer it is of a bright gamboge yellow, with black crown, wings, and tail.
    — from Nature's Serial Story by Edward Payson Roe
  8. GAMBOGE is extensively used as a pigment, from its bright yellow color.
    — from The Commercial Products of the Vegetable Kingdom Considered in Their Various Uses to Man and in Their Relation to the Arts and Manufactures; Forming a Practical Treatise & Handbook of Reference for the Colonist, Manufacturer, Merchant, and Consumer, on the Cultivation, Preparation for Shipment, and Commercial Value, &c. of the Various Substances Obtained From Trees and Plants, Entering into the Husbandry of Tropical and Sub-tropical Regions, &c. by P. L. (Peter Lund) Simmonds
  9. Crown with a patch of yellow, varying from lemon, through gamboge, to orange, and not surrounded by any whitish markings or suffusion.
    — from A History of North American Birds; Land Birds; Vol. 2 of 3 by Robert Ridgway
  10. The tint varies in depth from a faint gamboge-yellow, only discernible in a favorable light, to a deep greenish- or brownish-yellow.
    — from A System of Practical Medicine. By American Authors. Vol. 2 General Diseases (Continued) and Diseases of the Digestive System

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